Seth Sikes & Nicolas KIng - "The New Belters"

*All tickets INCLUDE a 3-course dinner AND the show 

At a recent performance in New York's Green Room, Stephen Mosher in his excellent Broadway World review writes - " The entire performance of THE NEW BELTERS was one tour-de-force performance after another.  Although it has been stated that you cannot give more than one hundred percent of a finite capacity, it is quite possible that what Nicolas and Seth are giving is not a finite thing because they topped out over the 100% line with their first number, a perfect (underline it) rendition of “Gotta Have Me Go With You” with harmonies that told the audience, right out of the gate, that these men know what they are doing. 

With this show, THE NEW BELTERS (the meaning of which is explained during the act), Nicolas King and Seth Sikes have found, have made, have presented the best versions of themselves.  Both gentlemen extremely successful solo artists who still work the solo show circuit, they have hit upon some magic formula, some unfathomable chemistry, and some of the greatest harmonies in the free world by becoming a duo act.  Every song sung sounded like the best thing you’ve ever heard.  Every arrangement, every parody lyric, every medley (all created by The New Belters, themselves) is a work of art.  Every moment of the show is a slick, polished, professional piece of perfection.  Whatever these gentlemen were doing before they formed this partnership happily informs this production from tip to tail.  And what a production this is.

THE NEW BELTERS hits every high note and checks every box.  There are laughs galore, there are moments of pathos, there is musical wizardry, heck, there’s even choreography.  These two gents are right out of another time… except they’re not.  There is some modern conversation, some light innuendo, some chat that might not have made it past the censors back in 1963 - and it’s wonderful.  It is wonderful because in 2024 the boyz of cabaret should be allowed to be who they are and say what they want.  So let us, by all means, bring the panache of Sixties club acts into the current day and age, wind up these elves on the shelves (their words, not mine), and let them go.

Friday night’s audience was a continual uproar of appreciation as these two phenomenal vocalists showed their skills with well-known classics like “The Joint Is Really Jumpin’ Down At Carnegie Hall” and “Pick Yourself Up” (including a fun premise to sweeten up the delivery of the latter) or exceptional medleys centered around Jule Styne, famous cities of the world, and Anthony Newley (the Newley segment was particularly satisfying).  Each of the two gentlemen took some time off of the stage so their colleague could have a little solo showcase action and, interestingly, it was during these solo sets that the evening highlights for both vocalists occurred, which isn’t to detract from the duo work, which was beyond reproach, but merely to point out how each of these men is absolutely capable of standing on their own.  Seth Sikes did a completely joy-filled and ebullient “He Touched Me” that brought new flavors to the classic, and Nicolas King showed off both vocal and interpretive prowess with a “How Do You Keep The Music Playing” that left the audience somewhat stunned.  Indeed, this writer’s table mates for the performance were my son and his oldest friend, both of whom are a far reach from being cabaret aficionados, and after Seth’s Streisand solo my son turned to me and simply mouthed “WOW,” and after Nico’s performance of the Bennett ballad, my son’s friend turned to look at me, his eyes bigger than dinner plates and his mouth agape with disbelief.  These were reactions that matched what was happening in my heart and in my notes - very validating, indeed.   All this and proper belting, too.

To make better an already impressive evening even better, there were times when Musical Director Billy Stritch would get in on the action, creating creamy three-part harmonies from three of the best male entertainers (and voices) in the business.  Maestro Stritch is not always the conductor on the bill when The New Belters come to town (but we have Billy at the 801!) and it will add his chemistry with Misters King and Sikes which is genuine, and the voices cry out for one another, elevating the entertainment yet another notch.  It really isn’t possible to think of a way in which this show and this act could be better (the “Mr. Paganini” number, alone, is worth the ticket price) because, at the end of the day, what we are talking about here is a group of men (sometimes two, sometimes three) who know what’s good and what goes, and when they are in the room to present an act, it’s going to be good, which goes a long way.  They are simply the best in the business, end of story."

GET YOUR SEATS EARLY FOR THIS PRE-TRAVERS RACE WEEKEND VERY SPECIAL EVENT!