New York's ferocious banjo-backed punk ragers Show Me The Body make their way into 123 Pleasant Street in Morgantown, West Virginia with Philly's Soul Glo and D.C.'s WiFiGawd.
Doors 8PM Music 9PM 18+ with valid ID for entry
SHOW ME THE BODY
Show Me The Body started as a band in 2009 consisting of Julian Cashwan Pratt (banjo and vocals), Harlan Steed (bass), and Gabriel Millman (drums). Noah Cohen Corbett (current drummer) joined the band in 2014. Their unique sound is heavily influenced, both sonically and in attitude, by the city that reared them: New York. The band has been at the forefront of the city’s underground since the release of their 2014 EP Yellow Kidney. Over the ensuing years Show Me The Body established themselves as one of the most exciting bands in the city, through their torrid live show and distinctive sonics.
Dog Whistle, Show Me The Body‘s most immediate and critically acclaimed body of work to date, is heavy yet honest. The album was produced by Chris Coady, Show Me The Body, and Gabriel Millman (original drummer and current in-house producer). Dog Whistle was written in Long Island City, Queens and recorded in Los Angeles, California in the summer of 2018. “Dog Whistle is a call-to-arms directed at the community, its sonic urgency reflecting the mounting challenges of surviving in the city” writes The Fader.
Show Me The Body has spent the last several years building and elevating a community of like minded artists and creative collaborators called Corpus. The first Corpus release was an eponymous mixtape featuring Denzel Curry, Princess Nokia, Eartheater, and more. More recently, Show Me The Body toured with Code Orange and King Krule
“A wrenching, hulking mass of flesh, bone and blood. Like the twisting, snapping spine of a generation holding far too much weight” – NME
“Show Me The Body’s fierce political maelstrom is the truest continuation of the spirit of punk of any band working with guitars today” – The Line of Best Fit
“Vital and forceful enough across its length to sound like life and death” – DI
SOUL GLO
If you gave Soul Glo a snapshot of what was in store for them in 2020 at the end of their first practice in 2014, you might put the space time continuum in flux. If you were to tell vocalist Pierce Jordan and guitarist Ruben Polo that everything that they had spent their first month as a band joking about, playing shows with artists from punk vets Paint It Black to Kurt Cobain’s favorites Flipper; from Memphis underground legend Tommy Wright III to platinum producer Pi’erre Bourne, were to actually happen, they might ask you if your hands were as fast as your jokes were. Despite the constant barrage of setbacks, from member changes, to financial strife, to run-ins with the law, Soul Glo has both repeatedly defied the kinds of odds that would fold lesser bands, not to mention their own standards for what they believed they could endure. Simultaneously, stopping or slowing down has never exactly been on the table for them, either.
“When we were stranded in Missouri, we started to weigh out the pros and cons of relocating there. We weren’t just about to leave our mans,” Jordan says. “Songs started getting crafted out there that we still have in the chamber.”
That said, their next release, Songs To Yeet At The Sun, serves as a perfect respite from the silence in between LP’s and the current lull in live performances that the band has become known for nationwide. The five song blessing gives a further insight into the frankly deranged production of bassist/producer Gianmarco Guerra, who served as the sole producer and one of three engineers for the record. Songs like “(Quietly) Do The Right Thing” and “29” continue to show Soul Glo’s affinity for speed as a vehicle for their aggression and messages, while songs like “I’m On Probation” and the previously released “Mathed Up” shows the bands love of chaotic-yet-atmospheric noise and the most popular rhythmic vocal styles of today’s current rap on top of the pummelling heaviness of the drums of TJ Stevenson. The band continues to showcase the rhythmic synergy existing between the entirety of the ensemble throughout the record, while the song “2K” features the straightforward rap production that peeked through on crowd-favorite songs “31” and “32” on the bands previous record The N*gga In Me Is Me, and also features a verse with instantly quotable lines from Richmond, VA artist Archangel.
All things considered, in a year where it feels as though quite literally anything could happen at any given moment, a record like the one that Soul Glo shorthandledly refers to as Yeet, one that features a violent and compelling sonic fusion that only they are capable of, is deeply necessary to times in which we currently find ourselves. In times where we are simply trying to survive from one minute to the next, one day to the next, it feels good in its own way, less lonely perhaps, to have music that reflects that uncertainty and fear.
WIFIGAWD
WiFiGawd, AKA Upt Souljah is a rapper based out of Washington, DC. He is currently signed on DTLA Records. The name WiFiGawd is a reference to his early SoundCloud days in 2012, when he began using the platform to distrubute his music. His other name UptSouljah is an homage to Uptown DC, and the Souljah part connects to his rasta roots as a warrior of Jah.
The Uptown D.C. native’s approach to music and culture is informed by his upbringing. He was raised in the D.C. Rasta community, where the history and values of hip-hop’s first Golden Age were embedded deep into his being. While today's emerging artists often scoff at the four decade-long traditions of hip-hop, Wifi acknowledges his respect for KRS-One as quickly as his influence from Kid Cudi. In a time when “selling out” and “biting” are considered antiquated concepts, the music he makes is free of gimmicks and always his own, stamped with a dozen signature flows and a technically masterful delivery that rides the pocket of any beat.
Wifi came into his own in 2016 with two tapes that helped define two very different sounds from SoundCloud’s most creatively fruitful era. FUBU 05 took Plug beats to their logical conclusion: San Diego’s Cryjng crafted eleven complex and intricately constructed melodic soundscapes and Wifi found the perfect flow to compliment each one. WiFi Season, boasting production from Zaytoven as well as Working on Dying’s Ooogie Mane and F1LTHY, was a dark and gothic take on trap and tread music, dystopian street rap that would be playing in a Phillip Dick novel. In the ensuing three years, Wifi has released a dozen full length projects that are equally as cohesive and often as ambitious.